Charles Webster’s Spectrum EP, originally the first on his Remote Label in 1996. One of the 15records that built Vinyl Underground! Reissuedhere for 2022
‘Gotta Be Paid’ sets the tone, a huge deep housenumber reminiscent of thePrescription/Murk/Shelter Mix camps withshuffling drums, sweet low end and a loopingvocal sample. Across the rest of the tracksWebster nods to various strains of US dancemusic that inspired the British club scene of theera but shows why he is regarded as one of thebest in the business. A2 ‘Partyboy’ continues onwith the well-swung, punchy attitude, underlyingkeys seemingly harking back to the bleep daysprior to the hardcore continuum. The sound isclassier and more refined though, mostly due tothe improvement the mid-90s saw in productionopportunities and Webster’s clear affinity to theNew York scene across the pond. The b-side hasthe big goodies for us... ‘Work on Me’ opens theB-side with a big room diva mantra imploring allthe dancers to get to work. Simple and totallyeffective. ‘I Believe’ grooves along ever moresubtly, an after-hours burner rounding the 12” off in a wide-eyed romantic fashion.
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